The below example shows all four of the common introductory conventions in play:
OPENING CONTEXT→ Films and television shows set within versions of the zombie apocalypse frequently feature storylines of migration and escape. Characters might embark of their own volition in search of a cure, or they might be forced to flee by the arrival of malicious strangers. Generally, films portray these characters as travelling by foot or car, but not by bicycle. AIM STATEMENT→ This essay aims to explore how films help to marginalise the bicycle as a viable alternative to transport requiring oil-based fuels. THESIS STATEMENT→ This paper argues that the absence of bicycles in such films reflects the importance of oil in contemporary society. ESSAY MAP→ This paper first introduces the role of transport in several source films: The Road, 28 Days Later, Shaun of the Dead, and Zombie Land. It then argues that there is no clear reason in the context of the films why the characters would not use bicycles. Finally, the lack of bicycles in zombie films will be shown as reflective of a marginal status for this form of transport in ways that demonstrate the power of oil business over pop culture.
Remember, these four conventions can be adjusted to suit your needs. For example, a thesis statement without an aim statement will suffice for some papers. If writing a very short assignment, you might discover an essay map isn't as valuable (and indeed, it could be a poor use of a truly limited word count!).
Always return your editorial eye to the introduction after editing the rest of your essay. Why? In short...
You must ensure the introduction reflects what you actually did and not what you thought you would do.
Because the intro comes first, it sets the marker's expectations of your intentions. A mismatch between the statement of your intentions (i.e., the intro) and the content itself causes confusion, and such a mismatch will lose you marks even if the essay's body is well developed and compelling.
Again, make sure to return to your introduction at the end of your editing and proofreading work. It's worth the effort!
To explore the ideas presented in this guide in video format, please check out the workshop recordings below.